Shortly after it was disassembled, then packed and on its way to the airport.
To be continued on Monday!
Russell Kennedy designed a proposal for a new Australia Flag which he hops will replace the current Australian Flag by the year 2020. Not only did he design the new national flag but he also thought of the wider use, such as representing unity thought the design and diversity thought colour.
Russell says that: “Australians should respect the current flag whether we like its colonial design or not. It has served the country well over the years through both time of adversity and triumph, however it has become clear that as a nation we have outgrown it. Australian has reached a point in time where a change is not only necessary but also long overdue.”
A blue Kangarroo is the main distinctive feature on the Advance Australia National Flag and is one of Australia’s most recoginsable symbols. The yellow area represents the sun and is a link to the Aboriginal Flag. One particular feature was taken over from the current flag and that is the Southern hemisphere symbol of the Southern Cross which are the 5 white stars on the blue area.
Dr. Denis Whitehouse says that: “Instantly recognisable as Australian, this flag has the potential to present a positive and distinctive image internationally and nationally. Open to multiple applications by different interest groups, it is a flag that speaks of the power of the rich diversity and questioning that constitutes Australian culture.”
As you can see above, different colours can be applied to the flag to represent different organisations and state territories. One important part of this new design is the advance Australia reconciliation ensign which shares the design of the Advance Australia National Flag but features the colours of the Australian Aboriginal Flag (red, black, yellow), which was designed by Harold Thomas in 1972.
1,000 recycled doors are enough for the South Korean architect Choi Jeong-Hwa to transform a dull ten-story building into a fresh-looking landmark.
This ‘skyscraper’ in the center of the Korean capital Seoul has become a pixelated landmark, that tells the story of thousand people who once chose a fitting color for a door in their apartment.
In his work Jeong-Wha uses a lot of every-day used objects to transform landscapes, interiors and urban situations. This project, presumably called ’1,000 Doors’, is astonishing beautiful and brings injects the city scape with some fresh colors. The doors visually translate the diversity of a world city like Seoul, as Inhabitat explains:
“Choi Jeong-Hwa’s imagery is born out his desire to let art engage with the greater population. His work is almost delusional – he takes ordinary, often discarded items and uses them to create unique spaces. 1000 Doors engages with the entire city of Seoul through its immense scale. The mass of doors reads like a crazy advertisement from afar. Up close, the juxtaposition of the common doors scaling the full height of the building is a bit jarring, if not amusing.”
The 1,000 Doors project must be a great stimulation for recycling principles in architecture. We can’t let this project pass without mentioning some other recycled door projects that have been featured here on The Pop-Up City. The Utrecht-based collective Stortplaats van Dromen has done similar projects, although on a much smaller scale.